Solotramp's Podcast
Poetry Propaganda -- How audacious! by Eleanor A Binnings
Rick Davis is playing harmonica on this.  I'd love to have a solo.



Moonbeams & Thin Air


The way you love me is unfair
Your good intentions all turn to lies
all moonbeams and thin air

I no longer know what I may share
without clean water, the orchid dies
the way you love me is unfair

between us at first was something rare
but history tells me it's no surprise
it's all moonbeams and thin air.

for you i laid my raw skin bare
too often i've exposed myself unwise
the way you love me is unfair

some things in life are meant to wear
long....but .... still time grows wings and flies
it's all moonbeams and thin air

i recall the touch of your hands in my hair
but now i'm unreflected in your eyes
the way you love me is unfair
it's all moonbeams and thin air
i love you more than you care.......

(c)2008 Binnings ALL RIGHTS RESERVED

Direct download: I_Love_You_More-H.mp3
Category: podcasts -- posted at: 1:10 PM
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BEAT

On my block six girls are pregnant,
their bellies almost bigger than they are
so they can't see the ground when they walk
The way they walk is as if
the wind is blowing them back
four girls have babies
you can hear squalling day and night
and the girl-moms too yelling,
"Shut up! I can't stand it!" Slap slap
but the squalling goes on.
Over at the clinic some people march
with signs stepping on cracks with their big flat shoes
their shadows growing long
over the plants with wilted leaves.
And up on the hill the boys dress hot,
practicing moves while their music fills the street
with a scorching beat. Uptown cars roll
with their windows up and tinted dark
and no one comes out to play.


(c)2007 Binnings ALL RIGHTS RESERVED
Direct download: Beat.mp3
Category: podcasts -- posted at: 7:18 PM
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Generation 1999

It's in the headlines
in the tabloids
on the lips
of people
knocking on my door
almost before the sun comes up
"the end is almost here"

As children we were taught
to fold ourselves
under our desks at school
fallout shelter salesmen
knocked on our doors

and we knew
we were the first
generation
that could be
annhilated
in less time
than it takes
for a soulful kiss

and when we got older
our parents said:
"What's wrong with this generation?
they live like there's no tomorrow."

Most of us are seeing
middle age
in the mirror
in the morning . . .

and our children
are standing in
supermarket lines

where blaring headlines
announce the end
of the world . . .

 . . .watching people
stream
toward sem-hostile
borders
bombs and mines
flare
and boom behind them

some kids garb
a school
in explosives

Do you know the world
is coming to an end?

. . . But my tulips are up again
leaves unfurl on brown branches
young rabbits dart across my lawn

Everywhere is the music
of birds who have made
the long journey again.

Water falls
from the sky
and changes
 the color of the grass

We interpret symbols
and imagine we're equipped
to portend the future.

The wheel of fortune turns

Who stands to gain
from saying "THE END!"

Who stands to lose?

************************
(c) 2008 Binnings

Direct download: Generations.mp3
Category: podcasts -- posted at: 10:07 PM
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For Shy Women in Solitude

Those of us who live in cages

pause to open cupboards

itemize and arrange boxes and cans

of prepared foods we eat

when we are not hungry

and we wash our plates unsated

 

our voices are tinny and crackle

we know the days of turning pages

the drowning waters of our tears

nights when we hunch

under a mound of blankets

touching our own skin

we imagine another's hand

our nipples erect, expectant

beneath a stomp and shout moon

 

curl our arms around our own backs

until it feels almost as if we are not alone

but then our breasts shrivel in waiting

and we get up to the assault of silence,

pace, stopping only to look in the cupboards,

to wind the ticking clock

Direct download: For_Shy_Women_in_Solitude.mp3
Category: podcasts -- posted at: 3:31 PM
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Rebel nun of the 17th century.
Sister Juana Ines de la Cruz lived in the certainty that "all things come from God, who is the center and at the same time the circumference from which all the lines of creation issue and where they stop." Such was the life of this religious woman of 17th-century New Spain, who not only left her mark on Spanish-American literature but whose cry of revolt over their inferior position of women is timely even today.

Beatriz Berger.  World Press Review.  Oct 1994.
From http://www.lasmujeres.com/sorjuana/rebelnun.shtml

Here is your introduction to Sor Juana.

And here:  http://www.latin-american.cam.ac.uk/culture/SorJuana/SorJuana2.htm


A Su Retrato
Este, que ves, engano colorido,
que del arte ostentando los primores,
con falsos silogismos de colores
es cauteloso engano del sentido;
este, en quien la lisonja ha pretendido
excusar de los anos los horrores,
y venciendo del tiempo los rigores
triunfar de la vejez y del olvido,
es un vano artificio del cuidado
es una flor al viento delicada,
es un resguardo inutil para el hado:
es una necia diligencia errada,
es un afan caduco y, bien mirado,
es cadaver, es polvo, es sombra, es nada.

My translation:

To Her Portrait

the artifice of colors  that here you see
testify to cunning and crafty grace
But if its false logic and gloss faded away,
we'd begin to see how illusory is the likeness,
how human vanity deceives us all into thinking
years erase the horrors those years
have etched into our faces
But to battle with time is insanity,
is a futile gesture you cannot hope to win,
 is an absence of caution, is wit put aside
is a delicate flower caught in the wind
is a weak defense against what Fate's contrived
is a conquest doomed, and you know in your mind
it's a corpose, dust, shadow, a reed's insides

(c) 2004  Binnings  ALL RIGHTS RESERVED
Direct download: To_Her_Portrait_-_Sor_Juana_translation.mp3
Category: podcasts -- posted at: 10:40 PM
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This is a vilanelle.
Direct download: Yield.mp3
Category: podcasts -- posted at: 3:03 PM
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Are there times to cultivate indifference?

Direct download: Cultivating_Indifference.mp3
Category: podcasts -- posted at: 1:21 AM

(The pic above is actually my parking lot with a gorgeous sunset.  This poem is a Sestina. This is one of a triptych--three sestinas in this case that go together....)

         BALANCE

It's easier to escape into a dead past
than to walk the voluminous fence
that separates his life from yours,
to keep a precarious balance
while you long for the solid feel of arms
around you, a caress in the night.

The most longing times are at night,
but when you recall the past,
it's a means of disarming
a present -- that looks like a fencing
match, a means of getting your balance.
The past may be dead.  But it's yours.

And you can remember all of your
hol-i-days:  a canoe trip down a river at night . . .
. . . learning to stand on one foot . . . balancing
your checkbook . . . looking beautiful . . . and walking past
a string of men sitting on a fence
showing you their flexed arms.

. . . The first time he took you in his arms,
when maybe he loved you
some time before the construction of fences . . .
some time before you got lost at night . . .
some time when you had no past
together . . . when all seemed in balance.

But the scales unbalanced.
Words turned into arms --
firing up the aching past
you'd divorced when you left your
father's house . . . wounds reopened in the night
-- until you had to build a fence

to protect yourself, a fence
built high and straight, loigs balanced.
And here you are: alone in the night
with only your own arms
to surround you.
Not much to look at in the dying past.

Yet armed with the past
You pull back from the fence
Balanced for a moment at midnight


(c)2008 ALL RIGHTS RESERVED
Direct download: Balance.mp3
Category: podcasts -- posted at: 9:56 AM
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